Showing posts with label young adult. Show all posts
Showing posts with label young adult. Show all posts

Tuesday, March 21, 2017

YA Fest 2017 was a smashing success!

On Saturday, March 18th, YA Fest 2017 took place at the Palmer Branch. Despite initial worries about the dreary, snowy/rainy weather, 300 people attended this year's Fest! Be warned... there are many pictures ahead!! 

People packed into the Palmer Branch for YA Fest 2017

The day kicked off with our Golden Ticket Event. Our "volunteens" and any teen who wrote a book review for a YA Fest author received a Golden Ticket. This allowed them to attend an up close and personal Meet n' Greet with select authors, and a Skype session with YA author Paige McKenzie.

Authors with teens at the Golden Ticket Event

Author Jeff Hirsch with teens at the Golden Ticket Event

Author Kieran Scott with teens at the Golden Ticket Event

Authors with teens at the Golden Ticket Event

Paige McKenzie created a YouTube series called The Haunting of Sunshine Girl, which eventually became a young adult book trilogy. Paige began writing when she was just 16 years old (!), which made her quite an inspiration to the young writers that attended the Golden Ticket event. The 21 teens who attended also got a swag bag from Weinstein Books (Paige's publisher) with all three books in the Sunshine Girl series, including the not-yet-published third and final book of the series!

Paige McKenzie Skyping with teens
Swag bag, courtesy of Weinstein Books!

After the Golden Ticket Event, doors opened at 1pm and two hours of autographing and book-buying madness ensued!

Let the crowds in! People were lined up when the doors opened. 

Buying books from Barnes & Noble

Authors signed books, took pictures, and chatted with their readers. Teens (and some adults, which may have included the library staff... *ahem*) giddily talked to their favorite authors, and were enthusiastic about having new books to read from newly discovered authors. 

Authors K.M. Walton and Christine Heppermann talking to teens. 

Authors Kieran Scott and Tiffany Schmidt chatting and signing. 

The crowds were deep! 

For our last order of YA Fest business, we raffled away 25 book bundle prizes. All book bundles were donated by major publishers and contained copies of recent and upcoming releases. Raffle tickets were given out at the door and throughout the Fest. Teens could enter any and all raffles as many times as they wanted.

Just a few of the bundles we gave away

These two hit the jackpot!

Book signings, raffle giveaways, and pictures are amazing, but the best and most important part of this festival is that it brings teens and authors together. It provides an open and welcome place for teen readers and aspiring young writers to meet published authors. Some teens gushed at favorite authors, others received advice and insight from the authors so they could dive in to writing ventures of their own. We love to host this event because it supports both readers and writers, which happen to be two of our favorite types of people! 

Even though YA Fest 2017 was packed with teens, we also met teachers stocking their classroom libraries and public librarians looking for advice to host "sister" YA Fests. We met guests who came from as far as Ohio to attend our festival. Some of the attending authors came from Canada and Florida to be part of this event! 

After the Fest officially came to a close, we were so excited to see that YA Fest was all the rage on social media! 




A post shared by Danielle Vega (@vegarollins) on



We can't tell you how much planning and support went into this event, and we would like to extend our sincerest thanks to:
  • The 40 authors who attended and participated in our book signings and Meet & Greets

  • The "volunteens" and their parents who helped throughout the Fest

  • Linda Voigt of LV Design Studios who made beautiful YA Fest themed jewelry for the event

  • Barnes and Noble of Bethlehem for being our official YA Fest bookseller and for giving a portion of book sales back to the library through the Barnes & Noble Bookfair program

  • The Junto staff at Easton Area High School for reviewing the authors' books and promoting the Fest in the school newspaper

  • The many publishers who donated books for our raffle bundles 

  • The Friends of the Easton Area Public Library for sponsoring YA Fest and volunteering time at the Fest to promote the library and its many programs. 
Library Friends member and volunteer Lois P. sharing information about the library

  • YA Fest coordinators Jennifer Murgia and Ashley Supinski, who brought this amazing event to the library for the fourth time in five years
YA Fest coordinator (and author) Jennifer Murgia with a copy of Bad Blood by Demitria Lunetta

  • Everyone who attended YA Fest 2017! 

On behalf of the library staff and YA Fest organizers...



Saturday, March 4, 2017

"Forever Young... Adult" Book Group!

Are you an adult who enjoys reading teen and young adult books?

Do you still feel like an angsty teenager at heart? 

Do you ever feel shamed by friends who are reading more "adult" books and think you should too?

Do you wish you had a place to talk about the YA books you read (and love)? 

Then join us at the "Forever Young... Adult" Book Group! 

We offer a safe place to discuss your addiction to YA books (we we consider to be a totally healthy and justifiable addiction, by the way). Join Katie and Ashley as we discuss pre-selected titles from a (semi) adult perspective.

We meet the third Wednesday of every month (except December) at 6pm at the Palmer Branch. 

Join us at any of our upcoming meetings! No need to register... just show up! We have print copies of book selections available at both library branches, and also as e-books available through Overdrive, the library's e-book service.

Some of the books we've discussed include:


The Hate U Give by Angie Thomas

Asking for It by Louise O'Neill

Love and First Sight by Josh Sundquist 

The Sun is Also a Star by Nicola Yoon

Ramona Blue by Julie Murphy



The Sacred Lies of Minnow Bly by Stephanie Oakes

 
Girl in Translation by Jean Kwok


Girl with the Red Balloon by Katherine Locke



Dear Martin by Nic Stone


Moxie by Jennifer Mathieu

If you have any questions or would like more info about the "Forever Young... Adult" Book Group, call the Palmer Branch at 610-258-7492, or email Katie (katiec@eastonpl.org) or Ashley (ashleys@eastonpl.org). 

Don't forget to join our Forever Young Adult Facebook group!

Monday, February 15, 2016

Book Review - The Hunger Games Trilogy

Yes let it be said that I have finally caught with the rest of the world and read the three books of The Hunger Games, by Suzanne Collins. They are exhilarating, unsettling reads, and I felt the need to discuss them.



I know that everyone in the country, if not in the world, knows the plot of The Hunger Games. However, I will summarize it anyway, in order to frame the story so that my observations and comments will flow more logically in this review. In the near-future (no date specified), North America has been turned into a country called Panem, which consists of twelve Districts and a "Capitol." In order to appease the Districts and at the same time show its authority over them, the Capitol hosts each year a fighting tournament called the "Hunger Games," in which each District sends one boy and one girl to a designated arena. Once all twenty-four adolescent children are in the arena, they must kill each other - and they do, until one "victor" remains. The games are closely monitored by means of thousands of hidden cameras. Before the games actually commence, each tribute has a personal "stylist" who decorates the tribute to look as attractive as possible, so that people will pay to send special, helpful items to the tributes during the games themselves. The twenty-four tributes are paraded about, like painted ponies at a firing squad, for everyone knows perfectly well that twenty-three of them will die within the next few weeks.

In theory, the book sounds all but revolting. It is sort of a dystopian novel, but I don't know if that's quite the right term. This is not a novel about how things ought to be, but it is also not a novel about how things ought not to be. The Hunger Games is, more than anything else, a novel that shows how brutal and terrible people can be, and will be, in the worst of conditions. At the same time, we see an oppressive, totalitarian government using the Games to bring a few people from each District down to that level of sheer brutality. The message from the Capitol, as summarized by the narrator, is clear: "Look how we take your children and sacrifice them and there's nothing you can do." 

This novel shows us a nightmarish world in which people are forced to forego all pretensions of civilized life in order to secure their own survival. As the Capitol plans it, nothing can survive the horrific violence of the Arena except a sort of virulent patriotism where one District triumphs over all the other Districts. Each District, as a whole unit, must buy into a Kill-Or-Be-Killed mentality. The people of all twelve districts are starving; but they do not dare to revolt, because there used to be thirteen districts, and when all thirteen of them revolted against the Capitol, they were all beaten back, and one district was completely obliterated. Thus each District has no choice but to embrace the annual Hunger Games, one chance to bring glory to their people in an attempt to attain significance in this post-apocalyptic world of mortality.

And yet, in spite of the twenty-four young teenagers trapped in a battle arena for weeks, this is not a novel about adventure, or romance. With many of the books popular with young adults, there is an overall theme. With Lord of the Rings, it was power, and man's tendency to want too much of it. With EarthSea, it was boundaries, the world's physical limitations that we must obey. In Harry Potter, it was love and its ability to counteract magic. Here, in The Hunger Games, the theme is violence - something that exists in the other books I just mentioned, but Collins concentrates it on a nearly fundamental level, practically isolating it from everything else, watching a series of people who are all but reduced to animals. This novel is about the forces that drive us to violence, and the dehumanizing effects it has on us. True, Collins emphasizes the word "hunger" in the title, but that really only proves my point. My English teacher once told us, as we were reading Shakespeare's Coriolanus, that you can take a lot of things from people, and they will remain civilized; but take away their food, and they will lose rationality. It is the hunger that takes away people's illusions of independence and intelligence and hope, and drives them to fight each other for sheer survival.

The Hunger Games is a stark, grim, gruesome novel. It brings out the primeval instincts within us, showing us that five thousand years of civilization has not made the human race immune to the baseness that can drive one friend against another. Perhaps it is intentional that Panem has no apparent religion or philosophy, and little in the way of literature. This absence seemed unrealistic to me at first, since every culture in history has had a religion; but perhaps Collins wished to show us a land that has been so squeezed and drained and starved that no one dares to imagine something so impalpable as a deity. Even love, which seems to exist between the novel's two main characters, comes off as contrived and scripted, an invention that pleases people but can barely stand up to a closer inspection. Will you really stop to help the person you think you love, when a pack of wolves is chasing you? Maybe you will, but it won't be easy.

This novel did not fill me with hope. It disturbed me, and made me wonder just how much torment and famine I might withstand before I turned into a creature capable of murder. While it hints at the political machinations that surround the Games, the first novel in the trilogy focuses just on the Games, the corrosive action of the fighting itself. It is a harrowing examination of just how much agony the human soul can tolerate while remembering that it is still human.


The second book in Collins's series is Catching Fire, which begins roughly six months after the end of the first book. It has a far wider scope than the first novel, and gives the impression that Katniss Everdeen, the hero and narrator, stepped in the wrong place and has fallen into a world that was never meant for her eyes.

Whereas the first book concentrated on the terrifying experience of the Games itself, Catching Fire dwells much more on the political and sociological structures that surround the Games. We see at once the dark rationale that the governing Capitol uses to justify the existence of the Games, and the weaknesses of that same rationale - because Catching Fire, though even more violent and tragic than its predecessor, contains a sense of hope that gives the oppressed people of Panem the courage to rebel.

Katniss and her fellow District 12 tribute, Peeta Mellark, have both survived the 74th Annual Hunger Games, but their managing to survive together has violated the rule that only one tribute can win the competition. Thus President Snow, ruler of the Capitol, orders Katniss to make a show of her romantic attraction to Peeta so that people will see their victory as an act of love rather than an act of political rebellion. Katniss's heart kind-of-sort-of belongs to another boy named Gale, which results in an awkward love triangle that thankfully Collins does not stretch too far. Katniss wakes up screaming almost every night, from nightmares that are barely more than memories of what she actually suffered in the Games.

Katniss faces a paradox. She knows that the Capitol has already done unspeakable harm to her friends and family, and so she wants to start an uprising. But at the same time she is constantly reminded that the Capitol has infinite resources to do whatever they want, i.e. kill every person Katniss cares about. It is really a battle between two sides of her mind. There is the Kill-Or-Be-Killed mentality that wants blood retribution for the injuries done to her, and will obtain that retribution at any cost, because she has nothing to lose. This is the mentality that was awoken in her when she was in the Arena. And there is the compassionate side of her, which cannot risk the safety of a single person. This is the side of her that drove her to volunteer for the Games in the first place, in order to save her sister from going. She has lost so much, and yet she still has everything to lose.

And while Katniss's ability to fight and take care of herself was part of what got her through the Games, President Snow now depends upon Katniss's compassion for her friends and family. He meets her personally and tells her that, unless she works very hard to soothe the people of Panem and prevent them from rebelling, he will kill off her dear ones. As the novel progressed, I realized one thing is very obvious: President Snow is an astonishingly inept leader. He clearly has no idea how to stop a rebellion. At one point he actually orders Katniss to appear onstage, televised, wearing her wedding dress - thus reminding all of Panem that she was just about to be married to Peeta. But all of Panem also knows that Katniss must reappear in the next Hunger Games as well (and so she has a 23:1 chance of being killed), and it is perfectly obvious that President Snow deliberately arranged these games in order to eliminate Katniss. What is he trying to accomplish? Can he get people to obey him, by showing that he has the power to execute a young bride? He has ordered Katniss to charm the audience, but he expects the audience to remain charmed when she is singing her swan song which he taught her himself?

So the heartless despotism of President Snow is a bit heavy-handed. The very name "Snow" seemed like overkill to me, implying his heart is as cold as snow - although, ironically, Katniss's mother uses snow several times as a medical treatment, mixing frozen slush with herbs and applying it to wounded skin, so I'm not sure how to reconcile the dual use of the image. Catching Fire is more ambitious than The Hunger Games, and while it lacks the unity of the first novel, it is just as powerful and thought-provoking. Katniss returns to the Arena, in the 75th Annual Hunger Games, but even in the midst of battle, the mood is different. Whereas the theme of the first book was violence, the theme of Catching Fire is time. As Martin Luther King once observed, time is itself neutral, never giving rise to anything on its own. But in this novel, we see how ideas affect people, slowly but inevitably causing them to change their perspectives on life. We see how every action has consequences, like a pebble creating ripples in a pond. We are reminded that, ultimately, nothing lasts forever, that time will bring things around somehow. As Gollum describes it, in The Hobbit:

This thing all things devours:
Birds, beasts, trees, flowers;
Gnaws iron, bites steel;
Grinds hard stones to meal;
Slays king, ruins town,
And beats high mountain down.


And, as with the first book, Collin's emphasis on "fire" in the title only proves my point. Time can only move in one direction. Katniss has made a spark and cannot undo it. Things have caught fire, and while she is terrified of what might happen to her family, her compassion and her anger eventually unite in a sort of maternal resolve to defend those whom she loves. Katniss must fight, but this time, she also must understand when to fight and when to trust others. In short, she must know how to use the time given to her, know when to act and when to wait.


The third book in the series, Mockingjay, is an account of terrible destruction and a glimpse into what I can only describe as the pulsing heart of pure chaos. It is at once the least structured of the three books, and the most painful of the three.

Panem has erupted into civil war. Most of the Districts have turned against the Capitol, but many of them lack the resources to resist the "Peacekeepers" that maintain the Capitol's rule over them. Katniss joins forces with District 13, which the Capitol allegedly destroyed seventy-five years ago but has actually survived underground - and the Capitol knew it. The two had a mutual agreement to ignore each other, since each had the WMDs to wipe out all of Panem's population (Cold War politics, essentially). Katniss is torn between a desire for revenge against the Capitol, and a suspicion that District 13 is really no better. This conflict leads to many quandaries and anxieties on her part, few of which are ever resolved.

The first two-thirds of the novel are devoted to a series of skirmishes in which Katniss, the "Mockingjay" mascot of the Rebellion, leads the forces which combat the Capitol in various locations. Yet, every step of the way, we see both in the characters' actions and in Katniss's inner realizations, that she is not a soldier. She can't follow orders. These sections are mechanical and proceed with a makeshift epic structure, as if Collins knew she needed a big ending to her trilogy but at the same time wanted to preserve her characters' inherent reservations against such an ending. The result is an unhappy marriage between a full-scale civil war and its weary poster child.

I can see how this conclusion is dramatically necessary for Collin's story, but it is theatrically uninteresting. The action becomes formulaic: the rebels attack, the Capitol attacks back, Katniss tries to rally the forces together but performs poorly because she really does not believe in them, she goes out and allows herself to be filmed while actually fighting in the real heat of combat, she is injured and the footage is aired while she is recuperating. This pattern repeats itself several times. In the course of the novel Katniss is shot, pierced by shrapnel, strangled, set on fire, and continually traumatized, often requiring sedation in order to sleep, although sleep only brings on horrific nightmares.

The last third of the novel is more imaginative but also horrifying, when Katniss throws off her Mockingjay suit and goes her own way, trying to hunt down President Snow. However unpleasant it was to read about Katniss acting without conviction, I found it far more painful to see what Katniss was able to do when she finally found her conviction. In a world where she cannot trust anyone, Katniss changes into a character who terrifies me. She is sanest when she is crying out in agony, unable to tolerate the despicable state of the world; she is most insane when she believes in what she is doing, and rises to the challenges set for her. Harold Bloom once commented that Othello "cannot quite fit" in his own drama, thus creating a play that is "necessarily unsteady," and I am forced to conclude the same of Katniss in this novel. She is, quite simply, the wrong heroine for the job - or else Collins has devised a job so horrendous that it requires its heroine to take measures that I just don't want to watch anyone take.

A "mockingjay" is a genetic aberration, a bird that combines the properties of a mockingbird and a tape recorder, able to sing back both the words and melody of a human song. In the first book, a friend gives Katniss a mockingjay pin to wear; here in the third book, this image becomes the symbol of the rebellion, and Katniss is asked to wear a uniform and call herself "The Mockingjay" in a series of promotional TV spots - not unlike Katniss's posturing in the Games in order to win over sponsors. Several times in this novel Katniss sings, and it always moves people emotionally. But when they call Katniss "The Mockingjay," they see it as a symbol of fighting, of bravery, of power. A mockingjay is none of these things; its unique quality is the ability to pour its heart out in song, to express its inner pains without aiming any hostility at others. Collins makes this point, but almost no one in the novel understands it. 

Judging by its title, I think the central theme of Mockingjay is identity. But this theme is explored negatively: most of the novel is about corruption and contamination, misinformation and play-acting. Katniss is forced to ally herself with Plutarch Heavensby, a former designer of Hunger Games arenas, who understands the machinations of the Capitol's weapons better than he understands the reasons for resisting the Capitol. Her friend Peeta has been brainwashed. Her friend Gale becomes increasingly violent and driven, not by a desire to help people but by a devotion to his cause - "and Causes, as we know, are notoriously bloodthirsty," James Baldwin once observed. Mockingjay is less devoted to its theme than its predecessors. Katniss ultimately fails to be "The Mockingjay" because the image that has been forced upon her is fundamentally flawed. She is unable to sing like a mockingjay, because she is constantly being manipulated by others. She cannot pour out her heart because it is covered with armor.
book cover of 

Hunger Games Trilogy  Box Set
In the end, what has Suzanne Collins done? As many have noted, the initial premise of the children fighting in the arena is anything but original, drawing its roots from the gladiator matches held thousands of years ago (the phrase "Panem et Circenses" is even spoken in Mockingjay). The way I see it, Collins has taken the image of people fighting needlessly and held it up to the light, examined it until we can see how ugly and wretched it is. We see this first with the Hunger Games tournaments, and then with the civil war. But Collins does not offer a solution. I do not know if she believes there is no solution, or if the idea of a solution simply never occurred to her. Perhaps this can be seen as an antidote to Harry Potter, since J.K. Rowling has said that her favorite author is Jane Austen, in whose writings everything works out in the end.

One of the most striking scenes in the series is in Mockingjay, toward the end. Katniss and her comrades are resting for a few miserable hours, beaten and battered by the turmoil of war. Katniss falls asleep and dreams of her old escort, Effie Trinket, a shallow though sympathetic woman who allows herself to be a pawn of the Capitol. Katniss narrates:

"I have only one dream I remember. A long and wearying thing in which I'm trying to get to District 12...Effie Trinket, conspicuous in a bright pink wig and tailored outfit, travels with me. I keep trying to ditch her in places, but she inexplicably reappears at my side, insisting that as my escort she's responsible for my staying on schedule. Only the schedule is constantly shifting, derailed by our lack of a stamp from an official or delayed when Effie breaks one of her high heels. We camp for days on a bench in a gray station in District 7, awaiting a train that never comes. When I wake, somehow I feel even more drained by this than my usual nighttime forays into blood and terror."

Why would this dream affect her so much, after she has just watched people be shot, mutilated, blown apart, even eaten alive by sewer lizards? It is the irrelevance of Effie's "schedule" to Katniss's life, the indifference that Effie has for any of Katniss's problems. It is the indifference of the world. All at once I suddenly see Katniss, not as an action hero (which she has obviously never been, and never will be), but as a scared girl in a world she does not understand, and that does not understand her. The hollow feeling where personal connection ought to be, the absence of communication. This negation of feeling, which no amount of violence and military campaigning can cover up, is itself the bedrock of the Hunger Games trilogy. It is the world in which Katniss lives, and she does not like it; can she imagine something better?

Saturday, October 25, 2014

Reblogged: The 10 Books Every Zombie Fan Must Read

World War Z

The following books are available for request.  For the complete list (and original source), please visit LitReactor's original article.


PATIENT ZERO by Jonathan Maberry
Monday, 1300 Hours: Joe Ledger kills terrorist Javad Mustapha, aka Patient Zero, with two point-blank shots from his Glock .45.

Wednesday, 0800 Hours: Patient Zero rises from the dead…

When you have to kill the same terrorist twice in one week, there’s either something wrong with your world or something wrong with your skills... and there’s nothing wrong with Joe Ledger’s skills. Ledger, a Baltimore detective assigned to a counterterrorism task force, is recruited by the government to lead a new ultrasecret rapid-response group called the Department of Military Sciences (DMS) to help stop a group of terrorists from releasing a dreadful bio-weapon that can turn ordinary people into zombies.

FOREST OF HANDS AND TEETH by Carrie Ryan
In Mary's world there are simple truths.
   The Sisterhood always knows best.
   The Guardians will protect and serve.
   The Unconsecrated will never relent.

And you must always mind the fence that surrounds the village; the fence that protects the village from the Forest of Hands and Teeth.

But, slowly, Mary’s truths are failing her. She’s learning things she never wanted to know about the Sisterhood and its secrets, and the Guardians and their power. And, when the fence is breached and her world is thrown into chaos, about the Unconsecrated and their relentlessness.

Now, she must choose between her village and her future, between the one she loves and the one who loves her. And she must face the truth about the Forest of Hands and Teeth. Could there be life outside a world surrounded in so much death?

ZONE ONE by Colson Whitehead
A pandemic has devastated the planet, sorting humanity into two types: the uninfected and the infected, the living and the living dead. After the worst of the plague is over, armed forces stationed in Chinatown’s Fort Wonton have successfully reclaimed the island south of Canal Street—aka Zone One. Mark Spitz is a member of one of the three-person civilian sweeper units tasked with clearing lower Manhattan of the remaining feral zombies. Zone One unfolds over three surreal days in which Spitz is occupied with the mundane mission of straggler removal, the rigors of Post-Apocalyptic Stress Disorder (PASD), and the impossible task of coming to terms with a fallen world. And then things start to go terribly wrong…

BREATHERS: A ZOMBIE'S LAMENT by S.G. Browne
(Staff Pick!)
Meet Andy Warner, a recently deceased everyman and newly minted zombie. Resented by his parents, abandoned by his friends, and reviled by a society that no longer considers him human, Andy is having a bit of trouble adjusting to his new existence. But all that changes when he goes to an Undead Anonymous meeting and finds kindred souls in Rita, an impossibly sexy recent suicide with a taste for the formaldehyde in cosmetic products, and Jerry, a twenty-one-year-old car-crash victim with an exposed brain and a penchant for Renaissance pornography. When the group meets a rogue zombie who teaches them the joys of human flesh, things start to get messy, and Andy embarks on a journey of self-discovery that will take him from his casket to the SPCA to a media-driven class-action lawsuit on behalf of the rights of zombies everywhere.

FEED by Mira Grant
The year was 2014. We had cured cancer. We had beat the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED.

Now, twenty years after the Rising, Georgia and Shaun Mason are on the trail of the biggest story of their lives-the dark conspiracy behind the infected. The truth will out, even if it kills them.



RAISING STONY MAYHALL by Daryl Gregory (Available from Allentown)
In 1968, after the first zombie outbreak, Wanda Mayhall and her three young daughters discover the body of a teenage mother during a snowstorm. Wrapped in the woman’s arms is a baby, stone-cold, not breathing, and without a pulse. But then his eyes open and look up at Wanda—and he begins to move.

The family hides the child—whom they name Stony—rather than turn him over to authorities that would destroy him. Against all scientific reason, the undead boy begins to grow. For years his adoptive mother and sisters manage to keep his existence a secret—until one terrifying night when Stony is forced to run and he learns that he is not the only living dead boy left in the world.

WORLD WAR Z by Max Brooks
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.

Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War. 



Other Mentions from Our Staff:

THIS IS NOT A TEST by Courtney Summers
(Staff Pick!)
It’s the end of the world. Six students have taken cover in Cortege High but shelter is little comfort when the dead outside won’t stop pounding on the doors. One bite is all it takes to kill a person and bring them back as a monstrous version of their former self. To Sloane Price, that doesn’t sound so bad. Six months ago, her world collapsed and since then, she’s failed to find a reason to keep going. Now seems like the perfect time to give up. As Sloane eagerly waits for the barricades to fall, she’s forced to witness the apocalypse through the eyes of five people who actually want to live. But as the days crawl by, the motivations for survival change in startling ways and soon the group’s fate is determined less and less by what’s happening outside and more and more by the unpredictable and violent bids for life—and death—inside. When everything is gone, what do you hold on to?

ASHES by Isla J. Bick
It could happen tomorrow . . .
 
An electromagnetic pulse flashes across the sky, destroying every electronic device, wiping out every computerized system, and killing billions.
Alex hiked into the woods to say good-bye to her dead parents and her personal demons. Now desperate to find out what happened after the pulse crushes her to the ground, Alex meets up with Tom—a young soldier—and Ellie, a girl whose grandfather was killed by the EMP.

For this improvised family and the others who are spared, it’s now a question of who can be trusted and who is no longer human.

PRIDE AND PREJUDICE AND ZOMBIES by Jane Austen and Seth Grahame-Smith
(Staff Pick!)
“It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains.”

So begins Pride and Prejudice and Zombies, an expanded edition of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem. As our story opens, a mysterious plague has fallen upon the quiet English village of Meryton—and the dead are returning to life! Feisty heroine Elizabeth Bennet is determined to wipe out the zombie menace, but she’s soon distracted by the arrival of the haughty and arrogant Mr. Darcy. What ensues is a delightful comedy of manners with plenty of civilized sparring between the two young lovers—and even more violent sparring on the blood-soaked battlefield. Can Elizabeth vanquish the spawn of Satan? And overcome the social prejudices of the class-conscious landed gentry? Complete with romance, heartbreak, swordfights, cannibalism, and thousands of rotting corpses, Pride and Prejudice and Zombies transforms a masterpiece of world literature into something you’d actually want to rea

THE ENEMY by Charlie Higson
(Staff Pick!)
In this dystopian thriller set in London, everyone over 16 is dead or diseased, and youngsters are in constant danger of being eaten by boil-infested grown-ups who roam the streets like zombies looking for children to kill. Led by teens Arran and Maxie and armed with makeshift weapons, a group of kids sets out from the uncertain safety of an abandoned supermarket to travel to Buckingham Palace, where a young messenger promises that food, medicine, and a haven are available. Along the way, Arran is killed. One youngster selfishly decides to stay behind with a secret stash of food and is there to tell Small Sam, who had been abducted and feared dead, where the others (including his sister) have headed. Sam's quest to find Ella parallels the story of the large group with similar run-ins with marauding adults and mistrustful children who scavenge about the city. The bleak setting is filled with decay, danger, and puss-oozing parents who have turned into butchers. On arriving at Buckingham Palace, Maxie decides that David, the teen leader there, is too tyrannical, and she must regain control of her brood and convince them to leave for a new location.

BREAK MY HEART 1000 TIMES by Daniel Waters
Living in the aftermath of the Event means that seeing the dead is now a part of life, but Veronica wishes that the ghosts would just move on. Instead, the ghosts aren't disappearing-they're gaining power.

When Veronica and her friend, Kirk, decide to investigate why, they stumble upon a sinister plot. One of Veronica's high school teachers is crippled by the fact that his dead daughter has never returned as a ghost. Veronica seems like the perfect body to host her. And even if he's wrong, what's the harm in creating one more ghost?

ROT AND RUIN by Jonathan Maberry
In the zombie-infested, post-apocalyptic America where Benny Imura lives, every teenager must find a job by the time they turn fifteen or get their rations cut in half. Benny doesn't want to apprentice as a zombie hunter with his boring older brother Tom, but he has no choice. He expects a tedious job whacking zoms for cash, but what he gets is a vocation that will teach him what it means to be human.





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